In this mind bending work, various images are exposed to the viewer through a reflective format which duplicates opposing sides with that trippy telescope manner. Just like the title, activities that induce drool, sweat, and screaming are shown; none of which are very attractive due to the choice in facial detail or color. Just look at the bottom middle of the frame: Albert Einstein seems to be chowing down on what appears to be a cockroach and strawberry topped deep dish pizza with all three of his hands. Horrendous.
Anyway his old work is beside the point. In the late 90's Finely had a revelation and found perspective due to his excitement for video games and programming. Thankfully the days of pizza/weightlifting/orientals had
come to a halt.
In the reading, the selected piece titled Goo Goo Pow Wow (2001) caught my eye due to its capture of unusual beauty (seen right). When reading, the work became even more enticing due to his reenactment of technological glitching, or the limitation of a computer software. I feel this exposes the concept that the digital world is far from natural reality behind the screen. In terms of strength, more dominate color could be used such as a blue back ground but I believe the piece is potent enough,
Citations:
Paul, Christiane. Digital Art. New York: Thames & Hudson, 2003. Print.
"Contemporary Art & Artists: ARTS 1001 Blog." Web log post. Contemporary Art & Artists – Chris Finley. N.p., 22 Nov. 2008. Web. 04 Sept. 2013. <http://blog.lib.umn.edu/peza0001/arts1001wednesdays/2008/11/contemporary_artist_chris_finl.html>.
"Contemporary Art & Artists: ARTS 1001 Blog." Web log post. Contemporary Art & Artists – Chris Finley. N.p., 22 Nov. 2008. Web. 04 Sept. 2013. <http://blog.lib.umn.edu/peza0001/arts1001wednesdays/2008/11/contemporary_artist_chris_finl.html>.

Drool, Sweat, Scream (1998) and Sweat, Drag, Shake, Zoom (1999) remind me of early Japanese Theater -either Kyogen or Kabuki- with the way the emotions are expressed. The faces are animated in a way that the eyes seem small, and there seems to be an emphasis on the size and shape of the mouth. The colors of the faces also brings to mind the makeup that is found in Kabuki plays. Usually the makeup outlines the eyes and eyebrows allowing the actor to show over the top emotions more easily.
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